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Studies in Montpellier, Toulouse, Barcelona. This artist is therefore very far from the pure expressionism of the North, but he is neither a surupying painter for all. Pierrick Allemand specializes in old-fashioned frescoes, a complex technique generally practiced in large dimensions. At the School of Fine Arts in Barcelona he covered 6m x 3,40m as for coffee Six in Saint-Germain (in Paris, of course) the fresco is smaller but the frequency of the visitors is greater and above all, very international. So he takes possession of the walls. What counts in German Pierrick’s eyes is the beating of life. The scene that unfolds before your eyes with the girl on a motorbike, the actress in her scenery, all these scenes represent a certain vibration that I sometimes feel close to comics and animation drawing but it gives way here to an approach very personal femininity.It exposes since 1998 and follows the general movement. Thus, his New York exhibitions range from Soho to Chelsea according to geographical trends and yet this painting is really everywhere. Thus, one can detect a certain relationship between the streets of Pierrick German (born in 1973) and the ancient Palermo market painted by Guttuso in 1974! Art is full of these correspondences through time and space: Guttuso loved women a lot, speaks of a world that is feminized. You have to see this painter out of time and totally in his century. He can be violent with light colors and tragic in a solar mood, he is a painter for the present time.